Archive for the ‘Movies’ Category

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Toxic Lullaby

August 14, 2010

Wow, it’s been a while since I posted anything on zombies. While the zombie world is pretty much obsessed with the upcoming Walking Dead tv series, it doesn’t mean that it’s the only interesting thing on the radar. I’ve talked plenty of times about Europeans solidly dominating the zombie movie scene at the moment, and I’m happy to say that there seems to be what looks like a worthy addition, this time from Germany.

Judging from the trailer, Toxic Lullaby looks and feels very much like 28 Days Later. The story (as lifted from the official site and run through Google Translate and my mad high school German skills) is standard zombie flick fare:

Eloise wakes up after a drug binge in a broken and hostile world. Separated from her friends she learns to survive in a bizarre reality . The world around her is in chaos. She learns that the reason for this is grounded in a financial crisis and the speculation about the last food resources and their total destruction. The use of biological weapons spread among the people a virus that has turned  them into dangerous mutants.

Caught in this desperate situation, Eloise joins a group of people as they are driven by the desire to escape this nightmare.

Nothing new there, but the trailer looks very very cool.

Toxic Lullaby appears to be coming out on DVD on September 11 this year.

See www.toxiclullaby.com for more info.

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Predators – a review

July 20, 2010

First off, let me point your attention to one thing. How many blockbuster, shoot’em up action movies star an Academy Award winner? I don’t think there are too many. Predators does. When they announced that Adrien Brody, known for his Oscar-winning performance as the eponymous pianist in The Pianist would star in the newest film of the Predator franchise, I doubt I was the only one who nearly choked on his coffee. How could the skinny, quiet, sad-looking man possibly play the lead role in a sequel to a movie starring a young Arnold Schwarzenegger – in his physical prime and speaking almost unintelligible English? He nails it.

Let’s get back to Brody and the rest of the cast a bit later, and start from the top. The concept of Predators is simple: a bunch of dangerous people are kidnapped and dropped on a strange planet for the Predators’ private safari. What follows is just what you would expect: big guns, explosions, jungle getting torn to shreds, gory deaths and Predators, Predators, Predators. Apart from the plural Predators, these are precisely the elements that made the original Predator film a scifi/horror/action classic. The big question here is whether Predators can bring anything new to the table.

Predators has been bashed for being unoriginal, of being nothing but a cheap remake of the 1987 film, of having no substance. I have to disagree. While there are a lot of references to the first film to satisfy fanboys – such as yours truly – the two films have different concepts, different settings, different plots, different characters and their dynamics and so on. Yes, they’re both set in a jungle. Yes, they both have Predators knocking off members of a heavily armed group of killers one by one.  That’s about it. Oh, there is one excellent similarity: Predators uses the original film’s theme in the soundtrack, and the rest of the soundtrack is also heavily influenced by the score in Predator.

The characters in Predators are pretty much standard fare, mostly one-trick ponies. They have, however, a few things going for them. There are little touches making the characters just a bit more likable/loathable. I like the idea, that the characters as a rule are not heroes. In the original Predator movie (and most action flicks, come to think of it) the main characters are heroes, regardless of the mayhem and death they cause. Not so in Predators, and the movie does make a good effort to make the viewer root for a bunch of monsters, and I’m not talking about the aliens here. The acting is solid and pretty much what you’d expect. As mentioned, Adrien Brody pulls of his mercenary anti-hero very nicely, while Walton Goggins (of Shield fame) manages to create a somewhat sympathetic sick rapist. Which is actually a tad disturbing, now that I think about it. Laurence Fishburn puts in a nice performance too, even if it borders on over-acting. Nimród Antal is a fair director, and gets a good show out of the cast.

I have to mention the storytelling elements in the movie as well. Unlike a lot of movies today, every single thread is not unraveled. There are blanks instead, left for the viewer’s imagination to fill. I’m not talking any big mysteries, just little touches that add colour to the movie. Kind of like that 18th century gun the Predators have at the end of Predator 2, suggesting a lot more than is shown. While on the subject of Predator 2, Predators only mentions the original Predator film, suggesting that Predator 2 and the AVP films aren’t part of the canon. While the AVP flicks are dreck hopefully quickly forgotten, I’ve always liked Predator 2, so it was a bit of a disappointment.

There’s one thing I love above all in Predators: the reliance on makeup and guys in suits over CGI. The Predators look fleshy, heavy and well…real. There’s none of the unnatural lightness and jerky movement that’s there in even the most advanced CGI – such as that in Avatar. The makeup is great, the Predators look absolutely lovely and all the iconic sights and sounds are present. Overall, the movie has a very nice, grimy and physical feel to it, which is essential to a good action movie.

So, any flaws? A few. 10-15 minutes could’ve been cut to keep the movie’s pace up. There are some scenes and plot twists that you can spot coming a mile away, as well as a few problems solved so easily that it reeks just a bit of deus ex machina. The lead female – the only female in the film – plays a very one-dimensional character with next to no development. Come to think of it, she’s pretty much the hero of the film, which is a bit boring, to be frank. Is it the action film makers’ fear of being labeled misogynistic that leads to female lead characters being all nicey-nice, and in general much more ethical, intelligent and caring than the men? See AVP for an awful example – both of a movie and of an über-heroine.

Overall verdict: Predators is a good film, even a great one at times. Do note, that when I talk of a good movie in this review, I mean entertaining. Predators is no Citizen Kane or Godfather, make no mistake. It is, however miles and miles beyond the terrible disappointment of the AVP films, and right up there with the original two films of the franchise. If you’re into scifi action, there’s nothing better available, and probably won’t be for a while. If you’re a fan of the Predator franchise, you can’t possibly miss this.

Here’s the official site.

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La Horde – a review

June 28, 2010

I’ve said it before, I’ll say it again: when it comes to making entertaining zombie movies these days, Europe is soundly kicking the US around. The latest in a line of European zombie goodness is a film that I’ve frothed over before: La Horde, by Yannick Dahan & Benjamin Rocher.

I loved La Horde, and it now holds a place in my mind as one of the top (something) zombie movies ever. And why is that? It’s better than the sum of its parts. Let’s take a look.

The premise of the movie is very simple. Gangsters kill a cop, cops go for revenge, zombie apocalypse happens and cops and gangsters have to work together to survive. Nothing massively original here.

The main characters are pretty much what you would expect. The intelligent but ruthless gangster boss and his murderous, brutal little brother. The tough but mostly honest cops. The crazed French Vietnam veteran…as said, pretty much what you would expect. There is a lot of wasted potential here, with unanswered questions and characters that could’ve easily been given more depth and explored in detail.

The acting is fine. Nothing special, the word “solid” springs to mind.

The dialogue has its moments, but yet again, nothing really memorable. Like the characters, there could’ve been much more here.

The zombies? They’re of the nowadays typical, running variety.

The gore? Existent, but not excessive. Nothing special.

The visuals? Dark and grimy. Lots of quick cuts and even some camera shake. Industry standard.

…and suprisingly out of all these unremarkable elements emerges one of the most entertaining zombie flicks in a while.

Actually, I think that entertaining is the operative word here. While La Horde may lack the social commentary of Romero’s original Dawn of the Dead, the lovable characters of Bio Zombie or Shaun of the Dead or the sheer gripping horror of REC, it is a very enjoyable piece of zombie cinema. It’s both the movie’s strongest and its weakest point: it doesn’t try anything new or fancy, but what it does, it does very well.

La Horde is a poster boy for contemporary zombie movies, and that’s why a review of it turns into a review of today’s zombie movies in general. It looks good, it’s packed with action and consequently paints the zombies as a very immediate, shocking threat, instead of creating the sense of despair prevalent in Romero’s original trilogy. It’s very much a win some-lose some scenario, as some – but not all – character building in the form of dialogue and actor performance must be sacrificed to make room for action. On the other hand it makes for a movie in which action is plentiful and which never really gets boring or creeps along at a snail’s pace.

Overall verdict: Whether you’ll like La Horde depends very much on what you’re looking for in a zombie flick. If it’s character development, a look at contemporary society and moral content, you’ll probably be better off elsewhere. I’m not saying that those things are nonexistent in La Horde, there are simply other movies that focus more on such genre aspects. If, however, you’re in the mood for a grim and gritty French cop flick with zombies, you’re in paradise.

La Horde is coming to DVD on July 7, and should be available in VOD services this summer.

Here’s the official site, and there’s a trailer below if you want to see what the movie is all about.

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A Chance in Hell

April 22, 2010

NZ can stand for two things: New Zealand and Nazi Zombies, and I’m seing no kiwi birds. For a low budget flick, this one doesn’t look half bad!

Visit the official site for more details.

Update June 19th 2011

This just in from the director himself (no, really, see the comments section):

Hey guys, thanks for posting about our movie. A Chance in Hell is actually a US movie, not New Zealand. We shot in Illinois back in February of 2010. We still don’t have a release date yet and I apologize, but I am eager to see what people think about the movie when they do finally get a chance to check it out.

-Tony Wash
Director
A Chance in Hell

I stand corrected, and would be more than willing to see this one!

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Plague – a review

March 27, 2010

As I’ve mentioned before, I’m really not into low budget films. While the occasional gem does appear, most zombie flicks on shoestring budget aren’t worth the time spent watching them. Therefore I’m very happy to say that the indie short film Plague blew me away.

Directed by Matt Simpson and produced by Frances Moylan, the 2009 Australian short film Plague tells the story of Vilhelms, a Latvian gun-runner that travels to the UK to escape in search of a new life. As is often the case in this genre, a zombie plague sweeps the nation and Vilhelms is swept along.

Zombie movies are all about characters. Zombies as such aren’t really interesting, but the survivors’ reactions are. This is what I liked most about Plague. It’s simply a low-key story of one man’s survival in an apocalyptic scenario with a voiceover narration from the character. The film manages to capture that “what would I do?” feeling so crucial in zombie stories. What you have here is an ordinary guy. Sure, he’s done some gun trafficking, but that doesn’t make him an action hero even if he uses a gun a few times in the film. Whether he’s hammering zombies, cooking beans or shaving, you can relate to Vilhelms.

While I’m not into low budget stuff in general, I love good short films. They’re usually made by young indie film makers who aren’t forced to conform to larger studio standards nor to cater to the needs of the general public. Also they’re not burdened by the need to create a full-length feature, so what we’re left with is a very concentrated, intensive piece of cinema. Plague has a running time of approx. 16 minutes, which is just about perfect. The story is told in full, not dragged out or cut short.

The crew on this film is obviously very, very talented. Makeup is easily on the level of big budget zombie films in terms of quality, and there are enough zombie extras (19, to be exact) to create a convincing scenario. The cinematography is excellent, and this is probably the artsiest zombie flick I’ve seen, definitely in a good way. I hope that Mr. Simpson has a chance and the drive to work on more zombie projects, as I’d love to see a full-length film of this quality.

Overall verdict: Plague is one of the nicest pieces of zombie cinema I’ve seen in a while. It’s inspired, clearly a labour of love and definitely makes the most of – and surpasses – its meagre production values. There’s absolutely no reason not to see it.

You can watch Plague for free at the official website. And when I say can, I mean should definitely now go.

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Going Crazies

February 13, 2010

This isn’t quite zombies, but I figured it might be of interest for a few reasons:

  1. If you’re a zombie geek like yours truly, you just might be interested in the other themes connected to the zombie phenomenon: films about the apocalypse, catastrophes, the supernatural and infectious disease. Man, I liked Titanic. And the end of the world scenes in the otherwise awful 2012. Not to mention the views of abandoned New York in I Am Legend.
  2. George A. Romero is the father of modern zombie cinema. While his latest work isn’t much to write home about, he can still claim credit for a lot of the staples of the genre.
  3. I’m interested in remakes. While a lot of people consider them more or less sacrilegious, I think that even some movie classics can benefit from it. Many great horror films are hampered by hammy acting and ultra small production values. Say what you will, but a cheap movie often looks cheap, even if it’s a classic. Not to mention the fact, that the remakes often draw people to the originals.

With that out of the way, here’s the trailer for the remake of Romero’s often forgotten 1973 (this is between Night of the Living Dead and Dawn of the Dead) movie The Crazies. I must admit that I never finished watching the original (see 3, above), which frankly suprised me (see 1 and 2, above). Let’s see if this can bring me to like the original as well.

And for comparison purposes, here’s the trailer for the original. There just seems to be an itty bitty anti-government sentiment there,  don’t you think? It appears that Romero wasn’t a big fan of the Vietnam War, ongoing at the time.

To tie in with the coming movie remake, a motion comic book is coming out through iTunes. Looks pretty nice, too!

The scheduled release date for the remake is February 26, 2010 and February 23 for the motion comic.

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More and more upcoming zombie goodness

February 6, 2010

I’ve once again been trawling the internets for coming zombie flicks. Two sites have been most useful, namely Zombie Info and The Inevitable Zombie Apocalypse. Definitely check them out! What I’ve collected here is but a teeny tiny fraction of the news they put out.

Let’s start out with E’Gad, Zombies! which is an upcoming 20 minute period zombie comedy, that the crew is hoping to turn it into a full feature in the future. I sincerely hope that this happens, as this looks most delightful. Historical zombies is a theme sadly neglected. Except for Pride and Prejudice and Zombies, which I couldn’t finish due to the clumsily tacked on, poorly written zombie content. See the film’s official homepage for more details.

Another unexplored niche is zombies in Africa. The game Resident Evil 5 immediately comes to mind, and I’m happy to see a film following the same lines. British film The Dead features a pilot that apparently crashlands somewhere in rural Africa, and ends up in the middle of a zombie crisis. Looks nice, and was shot on location in Burkina Faso, I believe. You can read an interview with the Co-Director here and visit the movie’s official home page here.

Back in the 70s, Italy was THE zombie movie country. They churned out tons of cheap zombie flicks, many of which were simply soft porn with gore. Of course there’s Lucio Fulci with his zombie classics and all, but most of it is pretty unremarkable. After forty years or so, the Italians once more get on the European zombie bandwagon with the Spanish, French, Serbians, Brits and Norwegians with the movie Eaters. Don’t be put off by the mention of Uwe Boll, he’s producing and not directing. I like the visuals, though the look CGI heavy. The trailer suggests some rather clichéd scenes and very very visceral gore, so the Italians are staying true to their roots. Two trailers follow.

First the Norwegians with Dead Snow, now the Danish with the upcoming short Opstandelsen. And the Finnish with jack all. Makes me want to cry.

And since it seems we’re getting very very international in this post, how about the indie Blind Death from Chile? As I mentioned before with Rec, somehow the fact that characters are speaking some other language than English makes it seem more real. I don’t know whether native English speakers have this feeling or not, though. Blind Death doesn’t look half bad!

For this last one no trailer exists yet, as production begins in Spring 2010. Anyway, these four words should rock anyone’s world:

Nazi zombies in 3D.

That’s right. What I’m talking about is a British movie named the 4th Reich, that tells the story with a classic theme: nazi super soldier experiments gone wrong. Really, you can’t go wrong with nazi zombies. I don’t know why, but you just can’t.

See the 4th Reich homepage for more details.

Phew. That’s a lot of upcoming zombie goodness right there.

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CGI of the Living Dead

February 4, 2010

Zombies have occasionally been seen in movies in CGI. There’s Resident Evil: Degeneration:

Which was unfortunately very aptly named. Steer well clear, it’s one of the worst features I’ve ever seen. The zombie action is fine, but the trailer is a good example of the awful acting, dreary dialogue and clichéd, predictable zombie flick events. “He’s dead. Oh wait, he’s not! Oh, he bit me in the leg!” Man, that’s fresh and original.

There are the zombie-like infected in I Am Legend that were frankly a bit disappointing:

CGI Zombies - you're doing it wrong

And in the future, there just might be A.D.

This here is a wonderful, wonderful teaser trailer  for a future – or rather potential, provided they can get funding – full-length CGI zombie movie. You can read an interview with the crew here. I really hope they get the cash to crank this baby out, as it looks delicious. Like Pixar teaming up with Tim Burton to do Night of the Living Dead. Don’t take my word for it, enjoy the trailer!

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Zone/Apocalypse of the Dead

January 29, 2010

Remember Zone of the Dead, the Serbian zombie movie starring Ken Foree of original Dawn of the Dead fame, that I mentioned way back in may?

I for one am happy to hear that it’s finally getting its DVD-release outside Serbia, under the title Apocalypse of the Dead. The release date is set at March 1st this year. Pre-ordering can be done at Play.com, for example.

And for those of you not bothering to click on the link above, here’s the trailer again:

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Even more upcoming zombie goodness

December 3, 2009

I now officially declare Europe as the sovereign of the Zombie Movie Kingdom. As if Shaun of the Dead and Rec (and most probably Rec 2) weren’t enough, here are three more to whet your appetite for undead action.

First up is Zombies and Cigarettes, a Spanish movie. If there ever was a stereotypical name for a European zombie movie, this would be it. The movie looks very entertaining, with normal people instead of action heroes caught up in the situation.

Then there’s Mutants, a French one. Don’t let the name fool you, it’s a zombie movie. Is this a Danny Boyle thing again? Can’t tell much from the trailer, but from the few IMDb reviews, it seems to have a bit of psychological thriller in it too.

Now, I apologize for the mental image, but the following trailer of the French movie La Horde pretty much made me wet my pants in excitement.

What can I say? Just one word:

AWESOME.